The Joffrey Ballet’s Winning Works Showcases Diversity
By Stephanie Racine
The Joffrey Ballet presented its ninth annual Winning Works showcase this weekend, March 9 and 10at the Edlis Neeson Theater, located inside the Museum of Contemporary Art. Winning Works featured four choreographic competition-winning ballets—all by ALAANA (African, Latinx, Asian, Arab, and Native American) artists.
Líneas, choreographed by Edgar Zendejas, is an intricate and stunningly complex piece. Groups of dancers clothed in simple white costumes, weave in and out with one another, as individuals and smaller groups momentarily break from the crowd. The modern presentation is juxtaposed with a classical composition, filled with strings and piano. Tommie-Waheed Evans’s Coup de Grâce is futuristically dynamic and frantically beautiful. Flashing lights, frenzied pas de deux, and drums bring a sense of doom. The ominous atmosphere is ultimately overcome by the dancers uniting together.
Vessels Bearing focuses on rice and the rice bowl being an essential part of Asian culture. Xiang Xu’s ballet uses rice bowls to enhance the production. Dancers bow to the bowls in a circle around a soloist in an unassuming nude leotard. The bowls are slid around the stage, adding to the musical arrangement. Bowls adorn the stage, as the dancers leap around them. To conclude, the soloist moves in a hypnotically robotic way as she exists. Give the People What They Want, by Marissa Osato, explores humanity’s societal expectations, and how it can be a struggle to conform. Patterned-clad dancers perform together in unison with big smiles on their faces. A soloist struggles against what is expected of her, turning her costume inside-out while she violently moves across the stage. The others attempt to help her to no avail, but ultimately turn their clothing inside out as well.
To learn more about The Joffrey and Winning Works, visit Joffrey.org/winningworks.